Loyalty. It’s a quality much to be desired, in how we treat our loved ones, the way we deal with our co-workers, in how those entrusted with the public welfare respect their responsibilities (we’re looking at you, Congress). And there’s a lot to be said for loyalty when it comes to adapting a film from another source, be it a novel, a play, or a musical. But it can be impediment as well, especially when loyalty to the original material gets in the way of letting a filmmaker do what the medium is best suited for.<\/p>\n
All told, Rob Marshall’s adaptation of the Stephen Sondheim’s INTO THE WOODS, is a beautiful, smart, and engaging experience, occasionally marred by a decision to adhere to what played on stage as opposed to what might work on-screen. I explore the issue in my review for Jim Freund’s HOUR OF THE WOLF. Click on the player to here the segment, or right-click the link to download.<\/p>\n
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