Warp the World: Joseph Gordon-Levitt copes with the new physics in INCEPTION.

Dream a little dream with the 23rd episode of the Cinefantastique Podcast, as Dan Persons, Lawrence French, and Steve Biodrowski analyze INCEPTION, Christopher Nolan’s multi-leveled special effects extravaganza about invading other people’s dreams to steal or plant ideas. Is it the thinking person’s action-packed blockbuster? Or is this dream one in which (to paraphrase Freud) an exploding car is just an exploding car? Find out, along with the usual recap of weekly news, upcoming events, and home video releases.

IN THIS EPISODE:

1. News
2. Opening in Theaters
3. Discussion: INCEPTION
4. New on Home Video
5. New at cfqmag.com

An Even Dangerouser Game: Adrien Brody (right) and Alice Braga (center) take point in PREDATORS.

This week, the Cinefantastique Podcast sets its sights on PREDATORS, produced by Robert Rodriguez and directed by Nimrod Antal, from a screenplay by Alex Litvak and Michael Finch. Is this sequel to PREDATOR (1987) a brilliant pop culture mediation on the ability of the human spirit to triumph in dire circumstances, or is it merely a crushing disappointment that fails to deliver on the promise of its trailer? Listen in to find the answers to these and other intriguing questions, along with the usual roundup of news, events, and home video releases in the world of science fiction, fantasy, and horror film.

Genuine Gold: PSYCHO (left); PEEPING TOM (center); and HOUSE OF USHER celebrate their 50th anniversaries.

With no new horror, fantasy, and science fiction films opening nationwide this week, the Cinefantastique Podcast turns its eye on the 50th anniversary of a trio of terror from the year 1960: Alfred Hitchcock’s PSYCHO, Michael Powell’s PEEPING TOM, and Roger Corman’s HOUSE OF USHER. Relax and sit back in your time machine as Dan Persons, Lawrence French, and Steve Biodrowski offer their retrospective analysis of these classic films. Also this week: an interview with Richard Clabaugh, director of EYEBORGS, due on home video on July 6. Plus the usual compilation of news, events, and upcoming releases.

IN THIS EPISODE:

1. News
2. Opening in Theaters
3. Interview: Richard Clabaugh on EYEBORGS
4. Discussion: The 50th Anniversaries of PSYCHO, HOUSE OF USHER, and PEEPING TOM
5. New on Home Video
6. New at cfqmag.com

Clowntime is Over: Dany Boon confronts the enemy in MICMACS.

The premiere audio review of science fiction, fantasy, and horror is back with another exciting episode! This time, Dan Persons, Lawrence French, and Steve Biodrowski eschew the big-time summer blockbusters in favor of the French comedy-fantasy MICMACS (Micmacs a tire-lairgot, or “Non-stop Madness”), latest surreal confectionery from supreme stylist Jean-Pierre Jeunet (who charmed audience with AMELIE). Also this week, we bring you the latest news, the Cinefantastique Calendar of upcoming events, and previews of the week’s home video releases. All in all, it’s more fun than a Jerry Lewis festival!

Not Quite Human: Delphine Chanéac as Dren in SPLICE

In Volume 1, Episode 17 of the Cinefantastique Podcast, Dan Persons Lawrence French, and Steve Biodrowski delve into the worlds of science fiction, fantasy, and horror, unraveling the mysteries of genetic engineering and bad parenting as they analyze SPLICE, Vincenzo Natali’s thoughtful variation on the old “mad scientists create a monster” scenario. Also this week, the usual round-up of news, home video releases, and upcoming events.

Click on player to hear show.

Jackie Earle Hailey as Freddy Krueger in A NIGHTMARE ON ELM STREET

Freddy’s back, and the Cinefantastique Horror, Fantasy & Science Fiction Podcast has him in its sights. Is the new A NIGHTMARE ON ELM STREET a dreamscape of unspeakable terrors, or is it a big snooze guaranteed to induce micronaps? What’s up with those dour teens? Why are their parents so oblivious? And how big a distinction should be make between the old ”child killer” Krueger and the new ”child molester” version? These and other questions will be pondered, ruminated upon, delved into, and dissected by Dan Persons, Lawrence French, and Steve Biodrowski.

Public Threat: A criminal (Javier Godino, left) delivers a not-so-subtle message to public servants Soledad Villamil and Ricardo Darin in the Oscar-winning foreign language film, THE SECRET IN THEIR EYES.

Seems to be some confusion about the title of this. For the record, according to the front page of the production notes, it’s THE SECRET IN THEIR EYES. Not THE SECRET OF THEIR EYES or even THE SECRET IN HER EYES, which is the way the video file for the trailer is labeled. So I hope we’ve got that all ironed out, now. Let’s move on, mmmkay?

The nominees for this year’s Best Foreign Language Film were a strong bunch: AJAMI; THE WHITE RIBBON; A PROPHET (UN PROPHÈTE) — I didn’t get to see THE MILK OF SORROW, so can’t say how it matched up. That the Argentinian SECRET — the story of a retired police inspector (Ricardo Darin) who delves back into a rape-murder he investigated in 1974 — took the prize may have had much to do with director Juan Jose Campanella’s ability to mold the film (adapted from a novel by Eduardo Sacheri) as a popular, whodunit while running deeper currents about love and sacrifice underneath. It probably didn’t hurt that supporting actor Guillermo Francella — better know in Argentina for his comic roles — delivered a complex, powerful performance as the inspector’s flawed sidekick, or that the film boasts a stunningly choreographed arrest sequence set in a crowded soccer stadium.

Campanella was clearly enjoying his victory, and we had a fun time talking. Click on the player to hear the interview.

This Episode is Brought to You by:
Current TV’s DEADLIEST JOURNEYS
“Death Slide Home!”

THE SECRET IN THEIR EYES
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Another Powerhouse Nominee from 2009

First up is an interview with Ritu Sarin and Tenzing Sonam, the married directors of THE SUN BEHIND THE CLOUDS, a documentary about Tibet’s struggle for independence. A few years back, there were a handful of docs released on this topic. Most seemed to want to garner audience sympathy through scenic views of Buddhist temples and extended footage of prayer services — not really the most compelling argument for this viewer. Sarin and Sonam take a less romantic approach, focusing on the protests that rose up both within and without the country in 2008, while simultaneously following the Dalai Lama on his mission to gain international support for his controversial “Middle Way Approach,” wherein the struggle for independence would be ceded in return for more autonomy and religious freedom. That the filmmakers chose to present real world politics — including divisions within the movement itself — rather than trying to seduce people with pretty images goes a long way towards making this film a valuable and comprehensive evaluation of one country’s ongoing fight for liberty.

And while we’re talking about seduction, we follow up with a conversation with Nash Edgerton, the Australian stuntman-turned-director whose debut feature is the wicked noir thriller, THE SQUARE. I’d seen this film at a screening almost a year ago, and ever since have been champing at the bit for its long-delayed release. The film definitely traces its roots to the likes of BLOOD SIMPLE and RED ROCK WEST, but with a sense of brutal irony and a gratifyingly twisty interlacing of schemes and deceptions that makes it stand out on its own (and pretty much distinguish itself as uniquely Australian). It’s a good, dark ride; however long it took to finally hit the screens, it’s well worth the wait.

Pretty nice way to get back into production, methinks. Click the player to hear the show.

This Episode is Brought to You by
THE INFIDEL

THE SUN BEHIND THE CLOUDS

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www.thesunbehindtheclouds.com

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THE SQUARE

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How Could We Not Recommend the Coens?

]]> http://mightymoviepodcast.com/blog/2010/04/10/the-square-and-the-sun-behind-the-clouds/feed/ 0 Activism,Controversy,Death,Debut Feature,Drama,Emotion,Gritty,Indie,Justice,Murder,Off Beat,Racism So what have we been doing for the past couple of weeks? Pulling our hair out, what's left of it. Making repeated calls to Verizon. Hosting a visit from their friendly and professional service person (really, no sarcasm there, the guy was good). So what have we been doing for the past couple of weeks? Pulling our hair out, what's left of it. Making repeated calls to Verizon. Hosting a visit from their friendly and professional service person (really, no sarcasm there, the guy was good). Being granted the privilege of shelling out for a replacement modem and still not having all of our problems resolved. But we're at least back more or less to where we were before our internet went south on us, so we're going to catch up on the outage by covering two films -- both very good -- this ep. No Clear Solutions: Exiled Tibetans protest in THE SUN BEHIND THE CLOUDS First up is an interview with Ritu Sarin and Tenzing Sonam, the married directors of THE SUN BEHIND THE CLOUDS, a documentary about Tibet's struggle for independence. A few years back, there were a handful of docs released on this topic. Most seemed to want to garner audience sympathy through scenic views of Buddhist temples and extended footage of prayer services -- not really the most compelling argument for this viewer. Sarin and Sonam take a less romantic approach, focusing on the protests that rose up both within and without the country in 2008, while simultaneously following the Dalai Lama on his mission to gain international support for his controversial "Middle Way Approach," wherein the struggle for independence would be ceded in return for more autonomy and religious freedom. That the filmmakers chose to present real world politics -- including divisions within the movement itself -- rather than trying to seduce people with pretty images goes a long way towards making this film a valuable and comprehensive evaluation of one country's ongoing fight for liberty. A Fool to Do Her Dirty Work: Ray (David Roberts) digs himself in deeper in THE SQUARE And while we're talking about seduction, we follow up with a conversation with Nash Edgerton, the Australian stuntman-turned-director whose debut feature is the wicked noir thriller, THE SQUARE. I'd seen this film at a screening almost a year ago, and ever since have been champing at the bit for its long-delayed release. The film definitely traces its roots to the likes of BLOOD SIMPLE and RED ROCK WEST, but with a sense of brutal irony and a gratifyingly twisty interlacing of schemes and deceptions that makes it stand out on its own (and pretty much distinguish itself as uniquely Australian). It's a good, dark ride; however long it took to finally hit the screens, it's well worth the wait. Pretty nice way to get back into production, methinks. Click the player to hear the show. This Episode is Brought to You by THE INFIDEL THE SUN BEHIND THE CLOUDS Trailer [youtube 34cLHNfFiZg nolink] www.thesunbehindtheclouds.com IMDB Listing THE SQUARE Trailer [youtube 49bD6LAKCN0 nolink] www.squarethemovie.com IMDB Listing Subscribe to MMP on iTunes Sign Up for E-Mail Updates [amazonify]B001B1UO7G[/amazonify] How Could We Not Recommend the Coens? Dan Persons no 35:18 http://mightymoviepodcast.com/blog/2010/03/14/the-cinefantastique-horror-fantasy-science-fiction-podcast-v1e5-overlooked-underrated-ink-ghost-writer-dr-parnassus/ http://mightymoviepodcast.com/blog/2010/03/14/the-cinefantastique-horror-fantasy-science-fiction-podcast-v1e5-overlooked-underrated-ink-ghost-writer-dr-parnassus/#comments Mon, 15 Mar 2010 03:07:18 +0000 Dan Persons http://mightymoviepodcast.com/blog/?p=1651

Top: Ink. Left: The Ghost Writer. Right: The Imaginarium of Dr. Parnassus

It’s a genre light week, with no new horror, fantasy, or science fiction titles released in cinemas, so Dan Persons, Lawrence French, and Steve Biodrowski take this opportunity to shine a little much-deserved light on some overlooked and/or under-rated genre titles. The main topic of discussion is INK, the surprisingly good low-budget fantasy film about a girl kidnapped by a dream demon. Also under analysis, Roman Polanski’s Kafkaesque thriller THE GHOST WRITER, starring Pierce Brosnan and Ewan McGregor, playing in limited release in New York and Los Angeles. And Terry Gilliam’s THE IMAGINARIUM OF DR. PARNASSUS, which received only a small release earlier this year.