The First Face/Off: Pierre Brasseur (left) and Alida Valli (right) carve up another victim in EYES WIHTOUT A FACE.

With theaters offering no new genre films this weekend, The Cinefantastique Podcast turns its all-seeing gaze back through the mists of time to a 50th anniversary examination of EYES WITHOUT A FACE, director George Franju’s moody masterpiece of art house horror. Imagine a dream of lyrical black-and-white images, of a lonely young woman, flitting through her home like a silent spectre. Her face, hidden behind a placid, mannequin-like mask, is a ruined mess. Her father, a brilliant but monomaniacal surgeon, is trying to restore her beauty – a process that involves kidnapping look-alike victims and transplanting their faces onto hers. When you see the operation in full view of the unblinking camera, you realize that your dream has erupted into a nightmare whose shock derives from the horrendous manner that the graphic imagery violates the poetic beauty of the film. The result is a classic not only of the genre but of cinema, easily one of the greatest horror films ever made. Follow Dan Persons, Lawrence French, and Steve Biodrowski as they dare to look beneath the mask – it’s all part of Cinefantastique’s ongoing Celebration of the science fiction, fantasy, and horror films of 1960.

IN THIS EPISODE:

1. News
2. Opening in Theaters
3. 50th Anniversary Discussion: EYES WITHOUT A FACE
4. New on Home Video
5. New at cfqmag.com

An Even Dangerouser Game: Adrien Brody (right) and Alice Braga (center) take point in PREDATORS.

This week, the Cinefantastique Podcast sets its sights on PREDATORS, produced by Robert Rodriguez and directed by Nimrod Antal, from a screenplay by Alex Litvak and Michael Finch. Is this sequel to PREDATOR (1987) a brilliant pop culture mediation on the ability of the human spirit to triumph in dire circumstances, or is it merely a crushing disappointment that fails to deliver on the promise of its trailer? Listen in to find the answers to these and other intriguing questions, along with the usual roundup of news, events, and home video releases in the world of science fiction, fantasy, and horror film.

For this week’s debut, they follow up on the Cinefantastique Podcast 1:20, which delivered 50th anniversary tributes to a trio of classic horror films from 1960. The Post-Mortem Podcast delves into some of the myths and legends surrounding Alfred Hitchcock’s PSYCHO. Also on the menu: a discussion of whether the legacy of STAR WARS and JAWS can be held responsible for today’s summer blockbusters, an issue addressed in this previous Sense of Wonder editorial.

Genuine Gold: PSYCHO (left); PEEPING TOM (center); and HOUSE OF USHER celebrate their 50th anniversaries.

With no new horror, fantasy, and science fiction films opening nationwide this week, the Cinefantastique Podcast turns its eye on the 50th anniversary of a trio of terror from the year 1960: Alfred Hitchcock’s PSYCHO, Michael Powell’s PEEPING TOM, and Roger Corman’s HOUSE OF USHER. Relax and sit back in your time machine as Dan Persons, Lawrence French, and Steve Biodrowski offer their retrospective analysis of these classic films. Also this week: an interview with Richard Clabaugh, director of EYEBORGS, due on home video on July 6. Plus the usual compilation of news, events, and upcoming releases.

IN THIS EPISODE:

1. News
2. Opening in Theaters
3. Interview: Richard Clabaugh on EYEBORGS
4. Discussion: The 50th Anniversaries of PSYCHO, HOUSE OF USHER, and PEEPING TOM
5. New on Home Video
6. New at cfqmag.com

Not Quite Human: Delphine Chanéac as Dren in SPLICE

In Volume 1, Episode 17 of the Cinefantastique Podcast, Dan Persons Lawrence French, and Steve Biodrowski delve into the worlds of science fiction, fantasy, and horror, unraveling the mysteries of genetic engineering and bad parenting as they analyze SPLICE, Vincenzo Natali’s thoughtful variation on the old “mad scientists create a monster” scenario. Also this week, the usual round-up of news, home video releases, and upcoming events.

Click on player to hear show.

This week, the Cinefantastique Horror, Fantasy & Science Fiction Podcast scrutinizes a pair of sequels that seem to have nothing in common: SHREK FOREVER AFTER, the latest family-friendly CGI fantasy from DreamWorks Animation; and SURVIVAL OF THE DEAD, the latest horrifying episode in George A. Romero’s on-going zombie apocalypse, which began way back in 1968 with NIGHT OF THE LIVING DEAD. What’s the connection? Although each film has its worthwhile moments, both raise the question of whether their franchises are tapped out and in need of a hiatus to recharge their batteries. Also on the menu: a round-up of recent news, a preview of the week’s home video releases, including TRUE BLOOD: THE COMPLETE SECOND SEASON and THE ROAD; and listener mail.

In MICMACS, Jeunet gives us a cockeyed protagonist in the person of Bazil (Dany Boon), a man who quite by chance winds up at the precipice of the eternal when a stray bullet gets lodged in his brain. This makes him not so charitably inclined towards the manufacturer of said bullet, a matter only exacerbated when he discovers that the land mine that killed his father in the Middle East was created by a neighboring company. His only recourse: Take down both corporations, with the help of a ragtag assortment of unusually talented junkyard misfits. For such a dire theme, the film turns out to be quite a lighthearted adventure, with Jeunet deploying all his powers of visual invention into the narrative, while also making copious nods to film history, particularly to the works of silent comedians and Sergio Leone.

George Romero is also taking a few pages from cinema history, most specifically from classic westerns. In SURVIVAL OF THE DEAD, the group of renegade guardsmen we met in DIARY OF THE DEAD — led by Alan Van Sprang — decides they’ve had enough of zombies, and aim themselves for a respite on an island off the coast of Delaware. Problem is: Not only is the place already infested with the walking dead, but they’ve become a rather peculiar stake in a kind-of range war between waged between two feuding clans. As always, Romero mixes zombie assaults with some particularly vivid death scenes — for both living and dead — along with some trenchant observations of our current, fractious times. Turns out the departed still have something to say to their survivors, and it has nothing to do with moving into the light.

Click on the player to hear the show.

This Episode is Brought to You by:
HALO: REACH – Autumn 2010

MICMACS
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====================================

SURVIVAL OF THE DEAD
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It’ll make you smile.

]]> http://mightymoviepodcast.com/blog/2010/05/21/survival-of-the-dead-and-micmacs/feed/ 0 Activism,Art,Comedy,Death,Emotion,Explosions,Fantasy,Gore,Horror,Indie,Justice,Love Y'know, people probably shouldn't be this gleeful about issues of mortality, but in the cases of the movies being discussed in this episode, we're kinda glad they are. This episode features interviews with Jean-Pierre Jeunet and George A. Romero, Y'know, people probably shouldn't be this gleeful about issues of mortality, but in the cases of the movies being discussed in this episode, we're kinda glad they are. This episode features interviews with Jean-Pierre Jeunet and George A. Romero, both of whom have previously addressed matters of life-and-death in their own, unique ways, and have decided that there's still more sport to be had from the subject. Twisted Love: Dany Boon (left) and Julie Ferrier meet peculiar in MICMACS. In MICMACS, Jeunet gives us a cockeyed protagonist in the person of Bazil (Dany Boon), a man who quite by chance winds up at the precipice of the eternal when a stray bullet gets lodged in his brain. This makes him not so charitably inclined towards the manufacturer of said bullet, a matter only exacerbated when he discovers that the land mine that killed his father in the Middle East was created by a neighboring company. His only recourse: Take down both corporations, with the help of a ragtag assortment of unusually talented junkyard misfits. For such a dire theme, the film turns out to be quite a lighthearted adventure, with Jeunet deploying all his powers of visual invention into the narrative, while also making copious nods to film history, particularly to the works of silent comedians and Sergio Leone. Home on Deranged (Sorry): Joris Jarsky (left) wrangles Kathleen Munroe in SURVIVAL OF THE DEAD. George Romero is also taking a few pages from cinema history, most specifically from classic westerns. In SURVIVAL OF THE DEAD, the group of renegade guardsmen we met in DIARY OF THE DEAD -- led by Alan Van Sprang -- decides they've had enough of zombies, and aim themselves for a respite on an island off the coast of Delaware. Problem is: Not only is the place already infested with the walking dead, but they've become a rather peculiar stake in a kind-of range war between waged between two feuding clans. As always, Romero mixes zombie assaults with some particularly vivid death scenes -- for both living and dead -- along with some trenchant observations of our current, fractious times. Turns out the departed still have something to say to their survivors, and it has nothing to do with moving into the light. Click on the player to hear the show. This Episode is Brought to You by: HALO: REACH - Autumn 2010 MICMACS Trailer [youtube TjKW0tG7I8s nolink] www.sonyclassics.com/micmacs IMDB Listing ==================================== SURVIVAL OF THE DEAD Trailer [youtube aFqUbY-pWqQ nolink] www.magnetreleasing.com/survivalofthedead IMDB Listing Subscribe to MMP on iTunes Sign Up for E-Mail Updates [amazonify]B0000640VO[/amazonify] It'll make you smile. Dan Persons no 38:48 http://mightymoviepodcast.com/blog/2010/05/14/michael-paul-stephenson-on-best-worst-movie/ http://mightymoviepodcast.com/blog/2010/05/14/michael-paul-stephenson-on-best-worst-movie/#comments Fri, 14 May 2010 14:23:21 +0000 Dan Persons http://mightymoviepodcast.com/blog/?p=1825

Trolls? Goblins? Troblins? Fans of TROLL 2 get in gear in BEST WORST MOVIE.

Have no doubt, I love bad movies. I still have fond memories of the first time I stumbled onto ROBOT MONSTER, back in the days when local broadcast television had afternoon movie shows, and one could serendipitously chance upon such inspired dreadfulness as a cheesy science fiction epic — with Hamlet-like ambitions — in which the titular monster was actually some guy in a gorilla suit wearing a toy diver’s helmet (check it out if you don’t believe me). Lemme tell ya, there’s nothing quite like sitting through ninety minutes of “What the frak is this?!” to put a spring in your step and reinvigorate your will to live.

Problem is that, these days, fortune has dictated I be late to this particular party, getting around to the legendarily awful long after their cults have formed. Which is by way of saying that I haven’t yet seen TROLL 2, the notoriously awful non-sequel (title notwithstanding), not-really-horror film that’s at the center of the documentary BEST WORST MOVIE. Not to worry, director Michael Paul Stephenson — who two decades ago was the child star of the movie — is less about celebrating the film than he is about exploring its impact on those involved, both before and after it had attained its midnight-movie status. To that end, he tracks down many of the project’s key players, including director Claudio Fragrasso — who expresses some well-justified discomfort with being embraced by this particular group of admirers — and co-star Dr. George Hardy, a dentist whose zeal for the spotlight first found him cast as Stephenson’s father, and then embracing his notoriety with perhaps a bit too much ardor.

The film is an intriguing examination of a certain, two-edged brand of fame and how the artists involved handle its effects. I got to explore the issue with Stephenson, amongst other topics — bottom line: He seems to have survived the trauma quite handily. Click on the player to hear the interview.

This Episode is Brought to You by
SONY BRAVIA

BEST WORST MOVIE

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The One, the Only, the Legendary.