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Mar
1

CINEFANTASTIQUE HORROR, FANTASY, & SCIENCE FICTION PODCAST – v1n3: THE CRAZIES

written by Dan Persons

Dan Persons, Steve Biodrowski, and Lawrence French are back with an in-depth discussion of THE CRAZIES, the new horror-thriller about a small town caught between a rock and a hard place when a bioweapon contaminates the drinking supply, turning the locals into homicidal maniacs and prompting a take-no-prisoners quarantine by the military. It’s based on [...]

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Feb
15

Cinefantastique Horror, Fantasy & Science Fiction Podcast – Volume 1, Number 1: The Wolfman

written by Dan Persons

Join Cinefantastique contributors Dan Persons, Lawrence, French, and Steve Biodrowski as they hunt the wild werewolf in the debut episode of the weekly Cinefantastique Horror, Fantasy & Science Fiction Podcast. This week’s subject is THE WOLFMAN, starring Benicio Del Toro and Anthony Hopkins. The film is of course a remake of THE WOLFMAN (1941), starring Lon Chaney [...]

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Jan
10

Top Ten “Oh, Come On!” Moments in Sci-Fi Movies

written by Dan Persons

Any science-fiction movie is predicated at least a little on the suspension of disbelief. But then there are points where what we’re presented with so defies logic, physics, or natural human behavior that the mind rebels. At that point, the credibility of an entire movie can be at risk.
For example, early in the new, sci-fi/vampires-rule-the-world [...]

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Nov
23

Tim Burton at MoMA

written by Dan Persons

So you go into this room at New York’s Museum of Modern Art’s Tim Burton exhibit, and it’s like striking gold: the Jack Skellington figure is there, along with a choice selection of the replacement heads that were used to animate dialogue; there’s the creepy, completely covered baby Penguin wicker stroller from BATMAN RETURNS; you [...]

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Nov
6

Michael Aimette and John G. Hofmann on TURNING GREEN

written by Dan Persons

Not to put too fine a point on it, but the poster for TURNING GREEN lies. It showcases Tim Hutton, Colm Meaney, and Allesandro Nivola, but while they’re prominent figures in the film, it ain’t about them. Off in the lower right, with his back turned towards the camera, there’s your protagonist: A teenage boy, [...]

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Oct
28

ANTICHRIST: A Conversation

written by Dan Persons

“Lars von Trier doesn’t like to fly.” “Lars von Trier isn’t going to talk to a lot of press.” Yeah, yeah; yadda-yadda. But just because he isn’t talking to us doesn’t mean we can’t talk about him, particularly about his childhood. I have it on good authority that he refused to eat his sandwiches until [...]

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Oct
12

Nicolas Winding Refn on BRONSON

written by Dan Persons

You wanna talk extreme? Charles Bronson, ne Michael Peterson, has spent thirty-four of his fifty-six years of life in incarceration of one form or another — most of that time has been in solitary confinement. The system has been violent to him, but he’s been violent back, and an anti-authoritarian cult has risen around his [...]

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Oct
5

Florent-Emilio Siri on INTIMATE ENEMIES

written by Dan Persons

Okay, so I think we all have something we can now say about ill-advised wars. France, though, learned its lesson fifty years ago. A lot of lives (some 500,000, both soldier and civilian) were lost in trying keep Algiers from declaring its independence. The battle, which ran from 1954 to 1962, has received sparse treatment [...]

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Aug
14

Glenn McQuaid on I SELL THE DEAD

written by Dan Persons

Thank you, Glenn McQuaid, for letting us laugh at the desecration of holy ground again.
Shot on a tight budget, with New York City — mostly Staten Island — standing in for the British Isles in the nineteenth century, I SELL THE DEAD has pretty much nothing going for it except a neat cast, plus the [...]

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Jul
21

Marcel Sarmiento & Gadi Harel on DEADGIRL

written by Dan Persons

Wow, midnight movies. I know they still happen, I just hadn’t recently heard of anyone basing a distribution pattern solely around the phenomenon. Nevertheless, the producers of DEADGIRL are rolling the dice on it, debuting their film at midnight this weekend (July 24 & 25, 2009), and dispatching the filmmakers and cast to screening cities [...]

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