Left to right: Annette Bening, Julianne Moore, Josh Hutcherson, Mia Wasikowska, Mark Ruffalo in THE KIDS ARE ALL RIGHT.

In my discussion with director Lisa Cholodenko about her new film, THE KIDS ARE ALL RIGHT — about a sperm donor (Mark Ruffalo) abruptly entering the lives of a lesbian couple (Annette Bening and Julianne Moore) whose children were spawned from his seed — I mentioned to her that the tone felt distinctly Southern Californian. Just to be clear: Despite my typical, knee-jerk attitude as a chauvinistic New Yorker, that comment wasn’t meant as a slap. It’s just that there’s something in the trappings of the characters’ lives, in their careers (Ruffalo plays a locavorish restaurateur; Moore is a landscaper), and in the overall sunny feel of the film even as relationships are being fractured and reassembled, that left me feeling that, though this story could really have taken place anywhere, it couldn’t have played out quite as it does in this particular setting.

Which is good, I think. The left coast locale provides context to the way Bening and Moore style themselves as models of a progressive, twenty-first century couple, and a affords a certain, reassuring optimism as the complications thrown in the characters’ paths become increasingly challenging. As with her previous film, HIGH ART, Cholodenko knows how to dig under the skin of modern relationships, without shortchanging her characters or overselling the drama. Turns out it’s not suprising that this is coming out in the summer — KIDS is a cool counterpoint to all the massive explosions and CG aliens that have invaded theaters elsewhere.

Click on the player to hear the interview.

This Episode is Brought to You by:
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THE KIDS ARE ALL RIGHT
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More Relationship Insights.

The gang has its typical falling-out in TOY STORY 3.

This week, the podcast review of Science Fiction, Fantasy & Horror takes you from the sublime to the ridiculous, as Dan Persons, Lawrence French, and Steve Biodrowski review TOY STORY 3 and JONAH HEX. Does TOY STORY 3 live up to its predecessors? Is JONAH HEX the biggest bomb of the summer or simply two films in one? Also on the menu, a round up of recent news, a calendar of upcoming events, and a preview of the week’s home video releases.

Household War: John C. Reilly (left) faces down Jonah Hill in CYRUS.

Wow. Four films worth talking about, all opening in the same week, and I’ve got interviews for all of them. I’m also pretty strung out to begin with, so I’m not going to attempt to get them all in within a single show, or even a couple of shows. Instead, we’ll start off with two comedies that are somewhat interrelated because they both break the mold in their own ways. Then, next week, we’ll be back with one episode looking at a fantastic documentary about the event that gave birth to the gay rights movement, and another episode about a beautiful and riveting drama from Italy starring Tilda Swinton. (Yeah, I could tell you titles, but, hell, listen to the show — they’re mentioned at the end).

Flawed Production: Agnès Jaoui (left) endures the ineptitudes of Jamel Debbouze (center) and Jean-Pierre Bacri in LET IT RAIN.

This week, we’ve got Agnès Jaoui discussing LET IT RAIN, her film about a politician (Jaoui herself) enduring an inept documentary crew (Jamel Debbouze and frequent Jaoui collaborator Jean-Pierre Bacri) in her public life, and family friction in her private one. As with the director’s previous effort, LISTEN TO ME, the interlocking havocs set the stage for a keenly nuanced view of the human condition, only this time with a considerably lighter tone.

Marisa Tomei (left) and John C. Reilly in CYRUS.

Then we’ll be talking with Jay and Mark Duplass about their new film CYRUS, wherein John C. Reilly tries to woo Marisa Tomei while fending off attacks from her passive-aggressive, live-at-home son, played by Jonah Hill. And if that log-line gives you chills, remember that the Duplasses were responsible for such cutting-edge, indie projects as THE PUFFY CHAIR and BAGHEAD. Here, they let that feeling of spontaneity — ganged to an exceptional cast — work its magic, and the result is a comedy with a refreshing sense of humanity.

Good stuff this week, with even more to come next. Click on the player to hear the show.

This episode is brought to you by:
GET HIM TO THE GREEK

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LET IT RAIN
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CYRUS
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When Reilly was Cyrus (sort of).

Clowntime is Over: Dany Boon confronts the enemy in MICMACS.

The premiere audio review of science fiction, fantasy, and horror is back with another exciting episode! This time, Dan Persons, Lawrence French, and Steve Biodrowski eschew the big-time summer blockbusters in favor of the French comedy-fantasy MICMACS (Micmacs a tire-lairgot, or “Non-stop Madness”), latest surreal confectionery from supreme stylist Jean-Pierre Jeunet (who charmed audience with AMELIE). Also this week, we bring you the latest news, the Cinefantastique Calendar of upcoming events, and previews of the week’s home video releases. All in all, it’s more fun than a Jerry Lewis festival!

This week, the Cinefantastique Horror, Fantasy & Science Fiction Podcast scrutinizes a pair of sequels that seem to have nothing in common: SHREK FOREVER AFTER, the latest family-friendly CGI fantasy from DreamWorks Animation; and SURVIVAL OF THE DEAD, the latest horrifying episode in George A. Romero’s on-going zombie apocalypse, which began way back in 1968 with NIGHT OF THE LIVING DEAD. What’s the connection? Although each film has its worthwhile moments, both raise the question of whether their franchises are tapped out and in need of a hiatus to recharge their batteries. Also on the menu: a round-up of recent news, a preview of the week’s home video releases, including TRUE BLOOD: THE COMPLETE SECOND SEASON and THE ROAD; and listener mail.

In MICMACS, Jeunet gives us a cockeyed protagonist in the person of Bazil (Dany Boon), a man who quite by chance winds up at the precipice of the eternal when a stray bullet gets lodged in his brain. This makes him not so charitably inclined towards the manufacturer of said bullet, a matter only exacerbated when he discovers that the land mine that killed his father in the Middle East was created by a neighboring company. His only recourse: Take down both corporations, with the help of a ragtag assortment of unusually talented junkyard misfits. For such a dire theme, the film turns out to be quite a lighthearted adventure, with Jeunet deploying all his powers of visual invention into the narrative, while also making copious nods to film history, particularly to the works of silent comedians and Sergio Leone.

George Romero is also taking a few pages from cinema history, most specifically from classic westerns. In SURVIVAL OF THE DEAD, the group of renegade guardsmen we met in DIARY OF THE DEAD — led by Alan Van Sprang — decides they’ve had enough of zombies, and aim themselves for a respite on an island off the coast of Delaware. Problem is: Not only is the place already infested with the walking dead, but they’ve become a rather peculiar stake in a kind-of range war between waged between two feuding clans. As always, Romero mixes zombie assaults with some particularly vivid death scenes — for both living and dead — along with some trenchant observations of our current, fractious times. Turns out the departed still have something to say to their survivors, and it has nothing to do with moving into the light.

Click on the player to hear the show.

This Episode is Brought to You by:
HALO: REACH – Autumn 2010

MICMACS
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www.sonyclassics.com/micmacs

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SURVIVAL OF THE DEAD
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It’ll make you smile.

]]> http://mightymoviepodcast.com/blog/2010/05/21/survival-of-the-dead-and-micmacs/feed/ 0 Activism,Art,Comedy,Death,Emotion,Explosions,Fantasy,Gore,Horror,Indie,Justice,Love Y'know, people probably shouldn't be this gleeful about issues of mortality, but in the cases of the movies being discussed in this episode, we're kinda glad they are. This episode features interviews with Jean-Pierre Jeunet and George A. Romero, Y'know, people probably shouldn't be this gleeful about issues of mortality, but in the cases of the movies being discussed in this episode, we're kinda glad they are. This episode features interviews with Jean-Pierre Jeunet and George A. Romero, both of whom have previously addressed matters of life-and-death in their own, unique ways, and have decided that there's still more sport to be had from the subject. Twisted Love: Dany Boon (left) and Julie Ferrier meet peculiar in MICMACS. In MICMACS, Jeunet gives us a cockeyed protagonist in the person of Bazil (Dany Boon), a man who quite by chance winds up at the precipice of the eternal when a stray bullet gets lodged in his brain. This makes him not so charitably inclined towards the manufacturer of said bullet, a matter only exacerbated when he discovers that the land mine that killed his father in the Middle East was created by a neighboring company. His only recourse: Take down both corporations, with the help of a ragtag assortment of unusually talented junkyard misfits. For such a dire theme, the film turns out to be quite a lighthearted adventure, with Jeunet deploying all his powers of visual invention into the narrative, while also making copious nods to film history, particularly to the works of silent comedians and Sergio Leone. Home on Deranged (Sorry): Joris Jarsky (left) wrangles Kathleen Munroe in SURVIVAL OF THE DEAD. George Romero is also taking a few pages from cinema history, most specifically from classic westerns. In SURVIVAL OF THE DEAD, the group of renegade guardsmen we met in DIARY OF THE DEAD -- led by Alan Van Sprang -- decides they've had enough of zombies, and aim themselves for a respite on an island off the coast of Delaware. Problem is: Not only is the place already infested with the walking dead, but they've become a rather peculiar stake in a kind-of range war between waged between two feuding clans. As always, Romero mixes zombie assaults with some particularly vivid death scenes -- for both living and dead -- along with some trenchant observations of our current, fractious times. Turns out the departed still have something to say to their survivors, and it has nothing to do with moving into the light. Click on the player to hear the show. This Episode is Brought to You by: HALO: REACH - Autumn 2010 MICMACS Trailer [youtube TjKW0tG7I8s nolink] www.sonyclassics.com/micmacs IMDB Listing ==================================== SURVIVAL OF THE DEAD Trailer [youtube aFqUbY-pWqQ nolink] www.magnetreleasing.com/survivalofthedead IMDB Listing Subscribe to MMP on iTunes Sign Up for E-Mail Updates [amazonify]B0000640VO[/amazonify] It'll make you smile. Dan Persons no 38:48 http://mightymoviepodcast.com/blog/2010/05/14/michael-paul-stephenson-on-best-worst-movie/ http://mightymoviepodcast.com/blog/2010/05/14/michael-paul-stephenson-on-best-worst-movie/#comments Fri, 14 May 2010 14:23:21 +0000 Dan Persons http://mightymoviepodcast.com/blog/?p=1825

Trolls? Goblins? Troblins? Fans of TROLL 2 get in gear in BEST WORST MOVIE.

Have no doubt, I love bad movies. I still have fond memories of the first time I stumbled onto ROBOT MONSTER, back in the days when local broadcast television had afternoon movie shows, and one could serendipitously chance upon such inspired dreadfulness as a cheesy science fiction epic — with Hamlet-like ambitions — in which the titular monster was actually some guy in a gorilla suit wearing a toy diver’s helmet (check it out if you don’t believe me). Lemme tell ya, there’s nothing quite like sitting through ninety minutes of “What the frak is this?!” to put a spring in your step and reinvigorate your will to live.

Problem is that, these days, fortune has dictated I be late to this particular party, getting around to the legendarily awful long after their cults have formed. Which is by way of saying that I haven’t yet seen TROLL 2, the notoriously awful non-sequel (title notwithstanding), not-really-horror film that’s at the center of the documentary BEST WORST MOVIE. Not to worry, director Michael Paul Stephenson — who two decades ago was the child star of the movie — is less about celebrating the film than he is about exploring its impact on those involved, both before and after it had attained its midnight-movie status. To that end, he tracks down many of the project’s key players, including director Claudio Fragrasso — who expresses some well-justified discomfort with being embraced by this particular group of admirers — and co-star Dr. George Hardy, a dentist whose zeal for the spotlight first found him cast as Stephenson’s father, and then embracing his notoriety with perhaps a bit too much ardor.

The film is an intriguing examination of a certain, two-edged brand of fame and how the artists involved handle its effects. I got to explore the issue with Stephenson, amongst other topics — bottom line: He seems to have survived the trauma quite handily. Click on the player to hear the interview.

This Episode is Brought to You by
SONY BRAVIA

BEST WORST MOVIE

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The One, the Only, the Legendary.

A Heightened Sense of Irony: Tony Stark (Robert Downey Jr.) comes to terms with a lethal personal generator and a rampaging ego in IRON MAN 2.

This time, Dan Persons, Lawrence French, and Steve Biodrowski take a can opener to IRON MAN 2, the successful sequel to the 2008 blockbuster, starring Robert Downey Jr as Tony Stark. Does it live up to the original? Do the special effects give more bang for the buck? Can Tony Stark’s ego grow any bigger? And what’s up with Ivan Vanko’s teeth?

Also on this week’s agenda: A brief discussion of the trailer for J.J. Abrams super-secret SUPER EIGHT, observations on audience anticipation for both the upcoming THOR feature and the next installment of the TWILIGHT franchise, plus all the new releases on home video and the usual roundup of the week’s most newsworthy items.

Click on the player to hear the show.