Fiddler on the Roof notwithstanding, there are probably some traditions that are best to be abandoned. At the beginning of THE FORGIVENESS OF BLOOD, a longstanding feud between two Northern Albanian families results in murder, and the kin of the now-fugitive killer finds itself paying for the crime by imprisoning itself at home as a safeguard against retaliation. Director Joshua Martson — who previously ventured into unexplored terrain with the justifiably praised drug-mule drama, MARIA FULL OF GRACE — here explores the surprisingly complex world of the blood feud through the eyes of two of the imprisoned teens: son Nik and daughter Rudina (played respectively by Albanian newcomers Tristan Halilaj and Sindi Laçej), finding empathetic drama in the midst of violent acts.
Click on the player to hear my interview with Marston.
THE FORGIVENESS OF BLOOD
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