DON’T BE AFRAID OF THE DARK, the title urges, but you know they’re lying. There are things hiding in the dark, little things, nasty things, things that want nothing better than to drag you down, down to the caverns where they dwell in order to, well, let’s just say you won’t need your library card …
Monthly Archive: August 2011
Guillermo del Toro says that, as a kid, he harbored great affection for the TV-movie version of DON’T BE AFRAID OF THE DARK, enough so that he and his friends used to creep each other out merely by whispering the name, “Salllllleeeee.” The years have passed and audiences have (maybe) become more sophisticated, but the …
In the movies, one man and one gun is all it takes to keep the peace. In reality, when you’re talking about the fear, anger, and frustration generated from poverty and exacerbated by drugs, territorial conflict, and just plain ego, a more empathetic approach is probably better. In the new documentary, THE INTERRUPTERS, director Steve …
There goes the neighborhood. Charismatically feral vampire Jerry (Colin Farrell) moves into a struggling Las Vegas suburb, and it’s up to teen lovers Charley (Anton Yelchin) and Amy (Imogen Poots) to keep property values from seriously bottoming out by curtailing his ongoing recruitment campaign. Enter indifferent magician Peter Vincent (David Tennant) and screenwriter Marti Noxon …
Cashiers du Cinemart’s Mike White hangs out after the Cinefantastique Spotlight to talk to Dan Persons about his magazine, his anthology, Impossibly Funky: A Cashiers du Cinemart Collection, the clouded future of 3D, and, of course, the indelible allure of BLACK SHAMPOO.
Okay, so they called the previous installment THE FINAL DESTINATION, as if that was going to be the last chapter of the franchise. So what? Like you never said, “This one’s the last French fry,” and then went on shoveling the spuds down your gullet like there was no tomorrow. Given the success of that …
Think of it as one spiritual brother reaching out to another over the span of almost an entire century: Bill Plympton — the innovative animator known for his edgy surrealism and distinctive, hand-drawn style — has decided to rejuvenate the work of one of animation’s first fathers, Winsor McCay, the man who painstakingly and single-handedly …