May
20

Cinefantastique Spotlight: STAR TREK INTO DARKNESS

Chris Pine (right) and Zachary Quinto (left) have nemesis Benedict Cumberbatch at their mercy (don't kid yourself) in STAR TREK INTO DARKNESS.

Chris Pine (right) and Zachary Quinto (left) have nemesis Benedict Cumberbatch at their mercy (don't kid yourself) in STAR TREK INTO DARKNESS.

STAR TREK is back, Captain Kirk (Chris Pine) is still flouting the rules, director J.J. Abrams is still dividing the fan base, but amazingly, inconceivably, there’s no dissent within the Cinefantastique Online ranks this time: Steve Biodrowski, Lawrence French, and Dan Persons all agree that STAR TREK INTO DARKNESS is supreme, quintessential TREK adventure. Telling the tale of the Enterprise’s encounter with a diabolical mastermind (Benedict Cumberbatch), the film at once delivers the big-scale action (even better in IMAX 3D) that audiences have come to expect from a major studio tent pole release while honoring the ideals that made creator Gene Roddenberry’s optimistic vision of the future so compelling.

Come join Steve, Larry, and Dan as they delve deep into this top-notch entry to the TREK franchise, exploring what makes it both a superior entertainment and a worthy elaboration of Roddenberry’s humanistic vision. Plus: What’s coming to theaters next week.

May
16

MYSTERY SCIENCE THEATER 3000′S Frank Conniff: The CFQ Interview

Frank Conniff gets the Shepard Fairey treatment.

Frank Conniff gets the Shepard Fairey treatment.

As MYSTERY SCIENCE THEATER 3000′S TV’s Frank, comedian and writer Frank Conniff became possibly the most cuddly mad scientist in history. From his debut television appearance that started with the show’s second season — for which he scripted and also pre-screened the “cheesy movies” that would torture host Joel Hodgson and crew — Conniff went on to gigs both behind and in front of the cameras for such diverse genre shows as SABRINA THE TEEN-AGE WITCH and INVADER ZIM.

I am, admittedly, an unabashed MSTie, and so when I got the greenlight to go ahead with CFQi, Frank was the first person I contacted and subsequently the first to be interviewed. The talk is wide-ranging, including an in-depth glimpse into to the work on MST3K and other shows, plus discussion of the aborted Joel Hodgson feature project STATICAL PLANETS and Frank’s creation of the satiric, audio musical, THE WONDERFUL PUNDITS OF OZ (which you can download here).

May
13

Cinefantastique Spotlight: Tribute to Ray Harryhausen

Ray Harryhausen & friends.

Ray Harryhausen & friends.

It is not an understatement to say that, for many who work within the industry of fantastic film and those who cover it, Ray Harryhausen was one of the key godfathers of the Sense of Wonder. In such films as EARTH VS. THE FLYING SAUCERS, THE SEVENTH VOYAGE OF SINBAD, JASON AND THE ARGONAUTS, and CLASH OF THE TITANS, Harryhausen’s collection of creatures — singlehandedly and painstakingly stop-motion animated by the man himself — exhibited a wondrous sense of life, and convinced many of us that, with dedication and love, almost anything that could be dreamed of could be realized on the screen.

Come join our special guest, theofantasique.com’s John W. Morehead, as he sits down with Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons to celebrate Ray Harryhausen’s achievements and evaluate his indelible contribution to the world of film. Plus: Dan gives his capsule reviews of SIGHTSEERS and THE PAINTING, and previews what’s coming to theaters next week.

May
12

Alice Winocour on AUGUSTINE

Soko (center) confounds the male establishment in AUGUSTINE.

Soko (center) confounds the male establishment in AUGUSTINE.

Let no one say that French director Alice Winocour isn’t audacious. She chooses not only to make her debut film — which she also scripted — a period piece, but to use it as a conduit for some trenchant observations on class, sexuality, and gender. Based on true events, AUGUSTINE tells the tale of the titular kitchen servant — played by singer Soko — who is brought to an asylum after suffering a strange seizure that leaves her paralyzed on one side. Placed in the care of Dr. Jean-Martin Charcot (Vincent Lindon) — whom Sigmund Freud would eventually cite as a major influence — the young Augustine becomes the 19th century equivalent of a media sensation, her near-orgasmic fits under hypnosis staged for the edification (and entertainment) of French society.

I got to sit down with Winocour to discuss this richly realized and slyly subversive debut. We explore the complex process of recreating a time when a predominantly male medical establishment still regarded female “hysteria” with a mix of fascination and fear, and examine how she sculpted this true story into an enthralling allegory for both the class struggle and male/female politics. Click on the player to hear the show.

AUGUSTINE
Trailer

embedded by Embedded Video

Official Website
www.musicboxfilms.com/augustine-movies-66.php

 

 

May
09

SIGHTSEERS’ Ben Wheatley: The CFQ Interview

Ben Wheatley takes a comedic trip to the dark side.

Ben Wheatley takes a comedic trip to the dark side.

Welcome to the banality of evil, Ben Wheatley-style: In his horror comedy SIGHTSEERS, a couple (Alice Lowe and Steve Oram, who also scripted) decides to take a caravan trip across the British Isles. But, really, who could enjoy such marvels as an antique tramway or the pencil museum when such distractions as litterers, rowdy Wiccans, and people who are just better than you keep interfering? There’s only one solution, and it’s one that requires sponges and tons of bleach to clean up after.

Wheatley has a unique way of grounding horror with credible performances and an unassuming shooting style that only accentuates the graphic violence. His hit-man horror film, KILL LIST, made my top ten last year, and SIGHTSEERS continues his streak of riveting an audience with a naturalistic brand of dread. I was happy to meet up with him again to talk about this film — click on the player to hear the show.

May
06

Cinefantastique Spotlight: IRON MAN 3

Robert Downey Jr. casts an acidic glance on superheroics in IRON MAN 3.

Robert Downey Jr. casts an acidic glance on superheroics in IRON MAN 3.

It’s felled the likes of Superman, Batman, Spider-Man and the X-Men. It’s a more daunting foe than Lex Luthor, Bane, and Magneto combined. It is, of course, the third installment of a superhero franchise, and now it’s time for comicdom’s snarkiest hero to face the figurative music in IRON MAN 3. With Robert Downey Jr, Don Cheadle, and Gwyneth Paltrow returning to their roles as, respectively, Tony Stark/Iron Man, James Rhodes/War Machine (here redubbed Iron Patriot), and Pepper Potts/Pepper Potts (somebody’s gotta stay in civvies), plus Ben Kingsley donning a bin Laden beard and a Hugo Weaving/Agent Smith drawl as the politically-incorrect terrorist the Mandarin, and with direction by pop-ironist Shane Black, can this third go for the power-assisted crime fighter break film’s most notorious curse? Turns out Cinefanatastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons form a decidedly mixed jury on that front, differing on whether IM3 is one of the best comic book films to come around in a while, is just solid if undistinguished entertainment, or is an affront to all right-thinking fans of Marvel’s steeliest superhero. The conflict will be resolved with a massive, twenty minute fight scene, heavily enhanced with CG. (No it won’t.)

Plus: What’s coming to theaters next week.

May
02

The Cast of YOUR PRETTY FACE IS GOING TO HELL: The CFQ Interview

Matt Servitto is the Prince of Darkness and Spreadsheets in YOUR PRETTY FACE IS GOING TO HELL.

Matt Servitto is the Prince of Darkness and Spreadsheets in YOUR PRETTY FACE IS GOING TO HELL.

Shooting a workplace comedy set in Hell may be challenging, tedious work, but at least you get to traumatize the hotel staff. That’s only one of the lessons to be gleaned from the cast of YOUR PRETTY FACE IS GOING TO HELL, a new Adult Swim comedy that takes the white-collar satire of OFFICE SPACE and adds a piquant whiff of brimstone to the proceedings. Joining Cinefantastique Online’s Dan Persons for an interview that’s part INSIDE THE ACTOR’S STUDIO, part MMA cage match are comic actors Henry Zebrowski and Craig Rowin, and Satan himself, Matt Servitto. Pour yourself a nice, brimming mug of goat’s blood and click on the player to hear the show.

Apr
28

Pierce Brosnan on LOVE IS ALL YOU NEED

Pierce Brosnan and Trine Dyrholm connect in ways neither expected in LOVE IS ALL YOU NEED.

Pierce Brosnan and Trine Dyrholm connect in ways neither expected in LOVE IS ALL YOU NEED.

Sometimes the wedding videographers are pointing their cameras in the wrong direction. Susanne Bier’s LOVE IS ALL YOU NEED takes place mostly in a villa in Sorrento, where a young and rather conflicted couple (Molly Blixt Egelind and Sebastian Jessen) are getting married. But the kids are not the only ones being put through changes; the mother of the bride (Trine Dyrholm) has just discovered her husband’s infidelity — a double blow since the woman has just emerged victorious from chemotherapy — while the groom’s father (Pierce Brosnan) has so immersed himself in business that he’s lost much of the stuff that connects him to other humans. Could be that each lost soul is what the other is looking for to get through the rest of their lives, but since director Bier is best known for such works as THINGS WE LOST IN THE FIRE, and the Oscar-winning A BETTER LIFE, the going in this uncommonly nuanced romantic comedy will not be easy, and the stakes will have genuine impact.

 

Pierce Brosnan sat down with us to talk about the challenges of bringing genuine consequences to a romantic role, the experience of shooting on-location in one of the most beautiful regions on Earth, and whatever happened to Thomas Crown? Click on the player to hear the interview.

LOVE IS ALL YOU NEED
Trailer

embedded by Embedded Video

Official Website
sonyclassics.com/loveisallyouneed

 

Apr
25

Martin Landau: The CFQ Interview

Martin Landau (right) teams up with Johnny Depp and won an Oscar for his portrayal of Bela Lugosi in ED WOOD.

Martin Landau (right) teams up with Johnny Depp and won an Oscar for his portrayal of Bela Lugosi in ED WOOD.

Every now and then, we pause in awe of the people we’ve had the opportunity to spend time with. Doug Trumbull, John Kricfalusi, and Paul Verhoeven in earlier years, Armin Shimerman and Frank Oz more recently — now it’s Martin Landau’s turn, and we couldn’t be happier.

In an extended and wide-ranging interview, we got a chance to discuss the length and breadth of Martin’s career. In the course of talking about his roles in NORTH BY NORTHWEST, MISSION: IMPOSSIBLE, and his Oscar-winning portrayal of Bela Lugois in ED WOOD — and much, much more — Martin provides insights on the art of acting, shares anecdotes from the set, and talks about the sometimes seamy politics that drive the film industry. It is, all told, a fascinating exploration of the life of an actor — click on the player to hear the show.

Apr
24

Temple of Bad: RIKI-OH: THE STORY OF RICKY

The going gets gutsy in RIKI-OH: THE STORY OF RICKY.

The going gets gutsy in RIKI-OH: THE STORY OF RICKY.

In the future — and by “future,” we mean 2001 — the Chinese prison system will be stupid. Also violent, sadistic, and quite, quite unsanitary — what with there not being a wall, fixture or floor that isn’t thoroughly coated with the viscera of its unfortunate inhabitants — but mostly really, really dumb. That’s the big take-away from RIKI-OH: THE STORY OF RICKY, an ultra-violent Hong Kong martial arts film that doesn’t so much tell a story as throw buckets of gore around and hope that viewers will, Rorschach-like, synthesize meaning from the incoherent mess.

Multimediumrare.com’s Orenthal Hawkins joins Temple of Bad’s Andrea Lipinski, Kevin Lauderdale, and Dan Persons to celebrate ToB’s first anniversary, curse Dan’s name for being the one to pick this episode’s feature, and engage in possibly the liveliest exploration of a bad movie since the Temple opened its doors with a discussion of BIRDEMIC: SHOCK AND TERROR.

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